• Contents
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  1 Introduction by Paul Silber.
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  2 The human voice introduced by Roy Hart.
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  3 Demonstration of a child's voice.
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  4 Roy Hart demonstrates various 'specialised' voices.
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  5 Comparison of a normal range and a 5 octave range. Roy and Dorothy Hart.
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  6 Three exercises using voices that are `breaking', sung on the word "Bella":Roy and Dorothy Hart and Kaya Anderson.
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  7 A boy, Roy and Dorothy Hart sing four to five octave leaps using the word "Viola".
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  8 Roy Hart sings six and a half octaves gliding up and down.
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  9 Roy Hart illustrates the similarities between his voice, a cello and a violin.
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  10 Dorothy Hart, Kaya Anderson and Marita Gunther demonstrate the colours of a violin, a viola and a cello. The exercise is sung on a single note.
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  11 Roy Hart demonstrates primaeval sounds
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  12 Roy Hart sings "chorded" sounds
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  13 Using these `chorded' sounds, Roy Hart sings "O Come All Ye Faithful".
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  14 Iago's "Credo" from Verdi's Othello, sung in a conventional way (in English) by Roy Hart, by way of comparison with the next track. Piano: Dorothy Hart
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  15 The same aria, sung by Roy Hart with fullest expression. Piano: Dorothy Hart
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  16 Roy Hart "Rhapsody on a Windy Night" by T.S. Eliot
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  17 Roy Hart sings "Niun Mi Tema" from Verdi's opera "Othello" Piano: Dorothy Hart
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  18 Roy Hart concludes
  

"....and man had a voice"