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Contents
1 Introduction by Paul Silber.
2 The human voice introduced by Roy Hart.
3 Demonstration of a child's voice.
4 Roy Hart demonstrates various 'specialised' voices.
5 Comparison of a normal range and a 5 octave range. Roy and Dorothy Hart.
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6 Three exercises using voices that are `breaking', sung on the word "Bella":Roy
and Dorothy Hart and Kaya Anderson.
7 A boy, Roy and Dorothy Hart sing four to five octave leaps using the word
"Viola".
8 Roy Hart sings six and a half octaves gliding up and down.
9 Roy Hart illustrates the similarities between his voice, a cello and a
violin.
10 Dorothy Hart, Kaya Anderson and Marita Gunther demonstrate the colours
of a violin, a viola and a cello. The exercise is sung on a single note.
11 Roy Hart demonstrates primaeval sounds
12 Roy Hart sings "chorded" sounds
13 Using these `chorded' sounds, Roy Hart sings "O Come All Ye Faithful".
14 Iago's "Credo" from Verdi's Othello, sung in a conventional way (in English)
by Roy Hart, by way of comparison with the next track. Piano: Dorothy Hart
15 The same aria, sung by Roy Hart with fullest expression. Piano: Dorothy
Hart
16 Roy Hart "Rhapsody on a Windy Night"
by T.S. Eliot
17 Roy Hart sings "Niun Mi Tema" from Verdi's opera "Othello" Piano: Dorothy
Hart
18 Roy Hart concludes
TOTAL
RUNNING TIME 45'48"
"....and
man had a voice"
Audio
listening extract
Purchase
information
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Hart's CD index page